I’ve been back in America for three weeks and I regularly run into friends who read this blog. Many of them mention how struck they have been with my pictures of Chefchaouen. I get that. It’s an adhesive place, one seen as an after-image long after the brief exposure to it has occurred.

It seemed appropriate, then, to caption my last Chefchaouen post after the title of a Travis McGee book by the late great John D. MacDonald. In that story, the “deep blue goodbye” was something permanent and fatal. I hope my reluctant departure from this town will be neither

It’s a town where one can find the unexpected animal. . .

. . . the charming detail . . .

. . . the commercial . . .

. . . and the meditative.

I was curious about how the Chefchaouen shade of blue is achieved. Apparently it’s purchased as a powder, which is then mixed with water and scrubbed into the sides of the stucco and rock walls of the houses. During our stay, we saw many people doing just that.

This outdoor stairway has been frequently photographed; it showed up in nearly every guidebook I consulted.

This fixer-upper was one of my favorite spots. The textures and colors of the ruins were incredible.

The rest, remainder and residue of these photos are corners of town that caught my eye. Maybe they’ll catch yours, too.

The town of Chefchaouen has spread beyond its walls. Just outside the medina is the kasbah. It bolstered my faith in human progress to consider that his ancient building is no longer a fort, but is instead the backdrop for a children’s play area.

A stream runs down the mountain by the high side of the medina. There are a few small but pretty waterfalls. Excess water is captured in spillways, one of which goes right through the first floor of a house.

Climbing a little more by the stream leads to this vantage point, where you can see the medina from the outside looking in. It’s not much to look at from there; the beauty can only be seen from within.

The newer part of town continues on the other side of the stream. Even though this area doesn’t have the same deep blue byways as the medina, has charms of its own.

I wandered around Chefchaouen alone while Spencer napped back at the hotel. I climbed to one of the highest points in the medina, an area not on the must-see-for-tourists list. Though the walls were still washed with Chefchaouen blue, the alleyways looked a little down at the heels.

I was here.

What you see in the left side of the photo is not a body of water, but is rather the top of the clouds that blanket the valley below. As I gazed out at this strange scene, a Berber man came out of one of the houses and struck up a conversation. It was the usual where-are-you-from, is-this-your-first-time-here talk. He introduced himself to me as Michael. Right.

Our talk turned quickly to hashish. This was not unusual. As we walked around Chefchaouen, Spencer and I were often approached by young men offering us the Rif Mountains’ most famous product. I frequently smelled the sweet odor of burning hash as I walked around. Sometimes I wondered if half the town was baked.

Anyway, I politely declined Michael’s offer, but he persisted. A woman came out of the same house and came over to us. Michael introduced her as his wife and invited me in to share tea with them. Again I demurred.

Undeterred, Michael laid his cards on the table. He had (or had access to) twenty kilos of hashish, which he wanted me to smuggle to some guy in California. I would be well paid for my services.

While Michael was laying out his business proposal, his wife was eyeing me hungrily with barely-disguised sexual interest.

There are so many ways this could go horribly wrong, I thought. Was Michael or his wife wearing a wire? Would Michael take murderous offense to the way his wife was sizing me up? Or was her nonverbal offer just part of the recruitment effort? Were there other confederates nearby waiting to ply me with less pleasurable persuasion?

Choosing my words carefully, I said that I had to meet someone just then, but suggested that Michael and I exchange phone numbers and contact each other the following day. Of course, I didn’t mention that I planned to be long gone by then. To my relief, Michael was amenable to my suggestion. We traded numbers. Then he fished into his pocket and gave me a small rock of hashish — a free sample, he said. I thanked him, pocketed it, shook his hand, and headed back to the Casa Miguel Guesthouse where we were staying.

Once I was in our room, I took the rock out of my pocket and considered my options. Though hash use is pretty widespread in Chefchaouen, it is against Moroccan law and carries significant penalties. No way was that worth the risk. A little sadly, I flushed the rock.

By the time Michael called me the next day, I was in a car halfway to Casablanca. I deleted his number and his call and trashed my Moroccan SIM card at the airport.

Maybe I was being excessively cautious. But no way was I going to even consider for a moment a career as a drug mule. The very extravagance of the proposition made me a little amused — and a little anxious.

There weren’t many signs in Chefchaouen. Those that do exist are as artfully designed as the rest of the town.

IN ACCORDANCE WITH the terms of my contract with the service that hosts this blog, and IN COMPLIANCE WITH longstanding Internet law which requires me to make at least one (1) blog post annually showing pictures of cats, NOW BE IT KNOWN that I herewith submit twenty one (21) photos of the felines of Chefchaouen, Morocco.

Having discharged my legal and contractual responsibilities above, I invite your comments.

Chefchaouen is a town of 35,000 souls located in the Rif Mountains of northwest Morocco. From the moment we stepped off our bus from Fes until the wee hours of the morning four days later when we boarded a grand taxi for Casablanca, I felt like I was living in a psychedelic haze.

Almost every rough rock wall in the medina has been scrubbed with a blue wash that produces differing shades and gradations. As the sun completed its daily arc through the sky, the blues cycled through many different hues, from Prussian blue to navy to cobalt blue to indigo to turquoise. At times the walls looked like snowdrifts on one of those winter days where the snow catches and color of the sky. I often passed by an alleyway and didn’t recognize it a few hours later because the hues had changed so much. The shifting tones of blue put me in mind of a dream. Chefchaouen is a place where everything seems not quite real.

I’ve been lucky enough to travel extensively in the last two years. And I can say that Chefchaouen is the single most visually arresting place I have visited, with the possible exception of Angkor Wat and Angkor Thom.

We were here:

Unlike the sprawling labyrinthine medinas of Fes and Marrakech — and, for that matter, Sousse — Chefchaouen was easy to navigate.

But I did get lost in a nonliteral way as I watched the textures of the blue-washed stucco and rocks. They shimmered. They breathed.

I felt a literal chill as I turned corners and took in new vistas. It’s hard to believe that a place like this actually exists.

I feel compelled to add a technical photographic note here. I have only minimally edited these pictures. In most cases, all I did was to convert them from RAW format to JPEGs. In a few instances, I upped the exposure levels, since the mix of shadows and bright sunlight in the medina sometimes resulted in the underexposure of some parts of some photos. But in the main, you are seeing the colors I saw. This is real. And seems unreal.

As I look over my photos of Fes, I am struck by what a forbidding place it must seem. Closed doors. Windowless walls. Toothed rooflines. Narrow alleys. A sullen yellow color scheme. On the surface, Marrakech seemed more welcoming, but Marrakech’s welcome is that of a smiling salesman who’s hoping to part you from your cash. Fes feels more genuine.

We spent most of our time in the medina, which is a UNESCO World Heritage Site. With its thousands mostly unnamed streets and alleyways, it is an easy place to get lost in. But maybe “lost” is the wrong word. When you don’t have a specific destination and are there to see what is to be seen, you can’t ever be truly lost. We did, however, misplace our accommodations (the Dar Sondos Guesthouse) more than once.

And so we wandered through the melancholy and secrets of the medieval streets.

I like leather — belts, shoes, straps, accents. One of my favorite possessions, in fact, is a heavy leather overnight bag made by Saddleback Leather and gifted to me by a very good friend. It weighs a ton. It takes a good three minutes to open or close. It’s wildly impractical compared to all the lightweight many-pocketed overnight bags other people have. But I love it for its style and durability.

As much as I appreciate good leather, I had never given much thought to how it’s made. At a tannery in Fes, I got an education.

When the animal skins come in, they are first soaked in vats of pigeon shit. The ammonia released by the guano softens the leather.

Next the pieces are placed in dyeing vats to produce the desired color.

The pieces are stomped on by workers inside the vats to work the dye into the leather. Finally, the skins are removed and left out to dry.

It’s smelly, dirty work. We were given sprigs of mint to hold under our noses as we walked through. The workers, though, had no such comfort, let alone health and safety gear. The process and the facility seem to be centuries old. I still love my leather, but I now have a new appreciation of the work that goes into it.

While Marrakech is unabashedly touristy, Fes is more reserved. Its medina is said to have 9,700-some streets and alleys. Some of these are so narrow that one has to angle one’s shoulders slightly sideways to pass. The signs and graffiti on the medina walls are down-home and aimed at locals, not tourists.