An American Abroad

Out and About in Coyoacán

My visits to the homes of Frida Kahlo and León Trotsky led me to believe me that the neighborhood of Coyoacán had much more to offer than just those two attractions. Though I hadn’t seen much of Mexico City, I impulsively decided that if I was ever to move there, Coyoacán would be the neighborhood I’d call home.

There were many blocks of well-kept but modest homes, usually set right beside each other with no alleys in between. Then there were occasional whimsical and extravagant structures that made me think, “wow, I’ve never seen anything like THAT before.”

I also found myself looking at smaller points of architectural interest, features that give otherwise-ordinary houses a certain character and charm.

Coyoacán is a real neighborhood, not merely an urban census tract. It was an independent municipality for over 300 years before it was merged into the urban sprawl of Mexico City. It’s a barrio of tree-lined streets where people raise families and walk to school. I got a lot of smiles, holas, and buen dias from the residents there.

Every other corner seemed to have a café, a bodega or a neighborhood bar.

I couldn’t quite work out what was going on with these dressers that were neatly stacked on the street behind a truck, as if on display for sale. No one seemed to be attending them. If they were part of a sidewalk furniture store, it’s pretty cool that the proprietors feel safe leaving their inventory out on the street.

In contrast to some of the other residential areas I saw on this trip, Coyoacán is very colorful.

The commercial district features a large indoor food market, a central plaza (Plaza Hidalgo) with a circular bandstand, a crafts market that caters to the thousands of tourists that visit every weekend, and a lovely park. On the day I visited, there was an art exhibition going on in the park. This dancer and the two musicians (guitarist and percussionist/singer) with her were splendid.

I didn’t see a lot of street art in the area. Maybe the people who live there don’t let their properties get run down to the point where graffiti is actually an improvement. However, I did see this nicely-done piece in the commercial district near the market.

I later learned that I’m not alone in thinking that Coyoacán would be a great place to live. In 2005, it was listed by the Project for Public Spaces as one of the best urban spaces to live in North America. I’m happy with my job and home in Puerto Rico, but if that ever changes and the right opportunity arose, I’d relocate there in an instant.

Museo Casa de León Trotsky

The convoluted history of the Russian Revolution and the tumultuous early years of the Soviet Union always perplexed me. The founders of the Soviet state consistently acted contrary to the Marxist notion that the state would eventually wither away. In fact, they created the opposite, establishing a oppressively bureaucratic state that governed nearly every aspect of the people’s lives. Along the way, tens of millions of people were murdered, imprisoned, tortured, and exiled.

Trotsky was a rival and opponent of Stalin. He lost out in the power struggle that ensued after Lenin died. He was exiled by Stalin–and later murdered by Soviet agents at his home in the Coyoacán neighborhood of Mexico City.

To some leftists who were horrified by the bloodbath that marked Stalin’s regime, Trotsky was the “good” Soviet communist, the man who argued against the bureaucratization of the early Soviet Union. Color me unconvinced. The Trotskyites seemed no less fanatical than the Stalinists, no less manically intent on producing mind-numbing tracts of revolutionary theory in attempts to justify whatever policies seemed expedient at the moment. While Trotsky did push for more democracy within the Communist Party and less heavy-handed rule by the Soviet state, those positions neatly coincided with his own attempts to gain more power.

The promise of communism captivated millions. Indeed, anyone with half a heart who sees the abuses and neglects of capitalism must wonder whether there isn’t a better system of organizing our economy and society. All that longing and hopefulness had to go somewhere once the horrors of Stalinism were laid bare. A good deal of it was invested in Trotsky, the exiled Jewish Ukrainian communist with the kindly visage and the funky glasses. Since he had never held absolute power in the Soviet Union, it was easy to imagine that he would have been a benevolent ruler. The only problem with this theory is that there’s no evidence for it; the only strength of it is that it can’t be disproven.

With this history in mind, I made my way to the house where Trotsky lived and died in Mexico City just after I visited Frida and Diego’s digs. It was only three blocks away.

Although Trotsky’s compound was spacious and had room for his extended family, bodyguards, and servants, it was relatively austere. The walls and woodwork were plain, the rooms were relatively small, the furniture strictly utilitarian. Certainly this was nothing like living in the Kremlin. This room in the photo below was the workspace for Trotsky’s two secretaries. In the left rear of the photo is an old Edison dictating machine.

As I passed deeper into the house, the rooms became even more spare. This was Trotsky’s bedroom. Note the thick shutters, which like the interior doors were a sandwich of two thick plates of steel with a generous helping of concrete in between. The interior doors were built the same way and set into small, deep doorjambs. Those doors were equipped with heavy deadbolts that allowed people to barricade themselves inside.

Trotsky had ample reason to take defensive measures: he knew that Stalin was trying to kill him. In May 1940, a group of assassins armed with machine guns attempted to storm the compound. Trotsky’s guards fended off the attackers; bullet holes in the walls still mark this event.

Running parallel to the row of bedrooms was a long narrow bathroom/dressing room.

Trotsky finally met his fate in his study in August 1940. An NVKD agent named Ramón Mercader befriended an American communist, Sylvia Ageloff, who was one of Trotsky’s confidantes. Using this connection, Mercader gained the trust of Trotsky’s family and bodyguards and occasionally did small favors for them. While he was alone with Trotsky in his study one evening, he asked him to read a document. As Trotsky began to look it over, Mercader struck him from behind in the head with an ice ax.

The blow didn’t kill Trotsky immediately, but he died a day later from his wounds.

Stalin was delighted that his old rival had finally been dispatched and bestowed the Order of Lenin on Mercader’s mother, who had assisted with the planning of the assassination. Mercader himself was found guilty of murder by the Mexican authorities and served twenty years in prison. Upon his release, the head of the KGB named Mercader as a Hero of the Soviet Union, the nation’s highest honor.

Trotsky’s home in Coyoacán is supposedly very much as it was left on the day of his death. On his bookshelf are several Edison dictaphone recordings, a book by Marx, two volumes of Trotsky’s own writings, The Game by Jack London, and Willa Cather’s Death Comes for the Archbishop.

The house now has a small museum attached to it, which was something of a disappointment to me. Most of its displays consisted of black and white photos blown up so big as to be almost unrecognizable. There were very few artifacts, personal effects, or other materials that might have illuminated Trotsky’s life. Still, for anyone interested in the history of the first half of the twentieth century, a visit to this site may make it easier to visualize how Soviet exiles lived–and died.

With Frida Kahlo at Casa Azul

High on my to-see list for Mexico City was visiting the Frida Kahlo Museum, otherwise known as Casa Azul. So after a very few hours of sleep following my late-night arrival in town, I took a taxi there.

The museum is located in the residential neighborhood of Coyoacán in the house where Kahlo and Diego Rivera lived. It’s not very large and at 10:00 on a Saturday morning there were already close to 400 people in line to get in. Fortunately, I had purchased tickets in advance and was able to get in after waiting only about twenty minutes.

Although the museum includes some of Kahlo’s paintings and drawings, it was more a museum of her life than a display of her life’s work. In almost every room there were reminders of both the physical suffering and disabilities she endured as well as the joy she took in life itself.

Though I knew she was badly injured in a bus accident when she was a teenager, I was unaware that she contracted polio when she was just six years old. Seeing her wheelchair in her bright, airy studio reminded me of my own childhood.

My father had polio. He walked unassisted with a heavy limp, then used a cane and eventually a wheelchair. I could well imagine what Kahlo’s home life might have been like.

There were other reminders of Kahlo’s lifelong suffering scattered through the house, including this painting she did of herself at the Henry Ford Hospital in Detroit, Michigan following a miscarriage.

Even her paintings that weren’t obviously medical explored the hidden interstices within the body.

But Kahlo seems to have embraced love and joy as fervently as she embraced her pain. This is probably one of the factors in her popularity.

You can find Frida Kahlo’s image and images on all manner of merch all over the world today. A year ago I went to a crafts fair in San Juan where there was a vendor who ONLY sold such stuff; I bought a couple of pillowcases from her. Frida is a money-making industry. So it’s quite ironic that in her lifetime she was a through-and-through communist and had photos of Marx, Lenin, Mao, and Stalin hanging in her bedroom. She was not at all reticent in her politics.


She was a near-neighbor of Leon Trotsky, who lived about three blocks away. This photo of them together was hanging in her house.

There was one didactic painting she did that tied her chronic health problems to the hope that the prospect of a communist revolution inspired. “Marxism Will Give Health to the Sick,” it said. So the personal and political combined within her.

Other photos of her show the more playful, sensual side of her personality.

The courtyard of Casa Azul is a beautiful space, full of trees, plants, and ponds. There was a sweet photo of Diego Rivera sleeping on one of the stone benches there. I declined the opportunity to do that myself and instead opted for this memory photo.

I have seen exhibitions of Frida Kahlo’s work, most notably the Detroit Institute for the Arts’ 2015 exhibition entitled “Diego Rivera and Frida Kahlo in Detroit.” I have pored over books of her art. I have imbibed her image as a pop culture icon. Seeing her home, though, gave me a more complete understanding of the woman herself. It was the high point of my visit to Mexico City.