An American Abroad

Nicaragua 2008: The Perfection of Granada

Granada is located along the coast of the Lake Nicaragua, the world’s twentieth largest lake. It was founded in 1524 by Francisco Hernández de Córdoba, and claims to be the first European city on mainland America. In the first centuries after its founding, the city was witness to and victim of many of the battles with English, French and Dutch pirates for control of Nicaragua.

In more recent times, though, Granada avoided most of the violence of the aftermath of the Sandinista revolution in the 1970s and ’80s. Back in 2008, I found a city that had managed to preserve and restore much of its Spanish colonial architecture and its pleasing public streets and squares. I’m not alone in this observation. The story is told that when Pope John Paul II visited Granada, he was so charmed by the town that he told the people not to change a thing.

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When we first encountered this bandstand in a public park, it was empty as you see it here.

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But the next time we happened by, it was mobbed with people. A band played. Different couples took turns dancing in front of the crowd, not so much to show off hot dance moves as to have their time in the limelight. The audience approved.

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We headed down to Lake Nicaragua, not so much because we wanted to beach it, but because we wanted to scope out where we would be catching the ferry across the lake. It being a holiday weekend, many people were heading out for some sun and swimming.

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Nicaragua 2008: Granada Signs

Looking back at my photos from this 2008 trip, I can see the beginnings of the same fascinations that still characterize my travel photography. Signs and graffiti, to name two.

Some of the signs for professional offices had a beautiful, simple elegance about them.

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Others were cheerfully cluttered with text and gave me the impression that you could obtain any kind of service within.

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And then there was this sign for a fried chicken joint, which amused me every time I passed by.

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I’m not sure, but I think this was a little love poem, a declaration of affection for one lucky Dario. But maybe some of my more fluent Spanish-speaking readers can set me straight.

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There were a lot of political murals and signs. And many, but not all, of them were in support of Daniel Ortega’s Sandinista party.

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This, below, was a popular political sentiment at the time. Still is.

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Nicaragua 2008: La Catedral de Granada

The cathedral of Granada is surely the most photographed building in town. It’s impossible to miss. No matter where we were in Granada, we could see its cheery neoclassical yellow towers in the distance.

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The original church at this spot was built in 1583. But when the American filibuster and conqueror of Nicaragua, William Walker, came to town in 1855 and began his mad attempt to take control of all Central America. His troops destroyed that building and much of the rest of the city the following year. Construction of a new cathedral began in the late 19th century, but was halted several times due to lack of funds. It was finally finished in 1915.

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Because Holy Week preparations were going on, we were unable to get any further inside than the reception area just past the exterior doors. But there, taped to a wall, we spied this charming admonishment.

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Even with my kitchen Spanish, I was able to understand this and appreciate its gentle humor. It says:

When you come to the temple and bring your cell phone, turn it off, because here you don’t need it to talk to God. The only phone you need to speak with God is prayer. Thank you.

Nicaragua 2008: Good Friday Parade

As night fell on our first day in Granada, we heard the sounds of a crowd and the buzz of a small engine coming from the street. I grabbed my camera and went out to see. The streets were aswarm with people. Considering their numbers, though, it was a pretty quiet affair. A long line of people passed quietly by us.

We saw the focal point of the evening toward the end of the subdued parade line. A wood and glass coffin, surrounded by flowers, was being carried atop a cart. The coffin was lit by spotlights powered by a portable gasoline-powered generator, which was sitting on another cart riding behind. Inside the coffin was a female department store mannequin which had been, shall we say, repurposed to resemble the popular image of Jesus: soft features, long curly locks, beard, white skin, and an almost effeminate countenance. Compounding the androgynous appearance was the fact that the figure was wearing a white lacy skirt. His (her?) body was streaked with blood-red gashes. Behind the coffin were two angels and a large cross draped with white linen.

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Not having been raised in a Catholic neighborhood, I wasn’t sure what was going on at first. Then it clicked with me that this was Good Friday, a holiday about which I had only a dim secular humanist awareness and understanding. I soon figured out that this parade was a reenactment of Jesus’ burial. I wasn’t sure what was cool to do. Could I join in the parade? Could I take pictures? I didn’t want to piss anyone off on my first night in Nicaragua, so for the most part I stood curbside and watched.

I was struck by the immediacy of the proceedings. This was not the abstract American Jesus; this was a bloody, mutilated likeness. It was the barbarous act of crucifixion made real. It wasn’t a priest saying “Jesus suffered and died”; it was showing, not telling. My son and I appeared to be the only gringos in the crowd. I felt privileged to be there.

Later that evening, when Spencer and I ventured out for a beer, we saw this figure (Mary? a local saint?) apparently waiting to be seated at the café.

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Strange big-headed blow-up dolls also circulated among the throngs of Good Friday celebrants.

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The religious procession by this point had given way to more secular concerns of eating, drinking, and relaxing. Strolling musicians came by and parked at our table for awhile.

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Tired from our travels, but feeling delighted and welcomed by the parade we had just witnessed, we then returned to the hotel and a sound night’s sleep.

Nicaragua 2008: Arrival in Granada

I traveled to Nicaragua in 2008 with my son, Spencer. It was my ur-trip, the experience that formed the template of much travel to come:

  • A faintly exotic destination that had experienced civil war in living memory
  • A mixture of luxury digs and down-and-dirty hostels
  • A stay in a town noted for its architecture, followed by a trip into the countryside

I’ve since taken this kind of trip over and over since then. But back in 2008, it was all new to me. I’d never traveled in the developing world before. I had a little Nikon point-and-shoot (my first digital camera) the I scarcely knew how to use. I had a plan I’d cobbled together from travel magazines, back when such publications were printed on dead tree media. I remember that I was so anxious and excited that I hardly slept the night before we left.

Since that trip seven years ago, Spencer and I have taken two other journeys together, one through Vietnam and the other through Morocco. As he moved into adulthood and independence, I wondered how we would relate to each other. Travel, I’ve discovered, bonds us as adults, further deepening my appreciation of fatherhood. I’ve learned to rely on him, something that was a little difficult for me, since I can’t quite shake the old parental habit of thinking of him as a mere kid sometimes.

Back in 2008, flew to Managua, waded through the dozens of touts at the airport, and selected one who drove us in a van to Granada. It was about an hour away. We checked into the Hotel Colonial, a small but beautiful hotel built around a courtyard with an inviting pool and large-leafed tropical plants.

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We were here:

After resting up, we set out to explore Granada.