An American Abroad

The 27th Street Gallery — Part 1

When I arrived in Chicago, among the first questions I asked friends and acquaintances was where to go to see good graffiti — unauthorized public art. Betsy Rubin, who, like me enjoys photographing such stuff, suggested I check out 27th Street where it crosses Kedzie. Yesterday morning it was clear and sunny here for a change, so I took her suggestion.

The intersection turned out to be in Little Village, a predominantly Hispanic neighborhood with a friendly feel to it. The walls that elevate the METRA tracks there have been turned into a de facto outdoor gallery that shows off some amazing work.

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I was here:

The images lining the walls are strong and precise. They’re perfectly proportioned. The colors pop and reveal often intricate details. Now consider that the artists who created them didn’t have control over their site and that they were working illegally, probably dodging police patrols during the night hours. Consider, too, that their work could lawfully be painted over, sandblasted, and destroyed by the authorities in a day. As I suspect the artists intended, I kept thinking about those challenges as I walked along the walls. There’s a certain how-did-they-do-that boastfulness in their works that, for me, contributes to the sense of wonder and delight I got when I was looking at them.

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The People Under the Viaducts

There are many murals here in Hyde Park neighborhood of Chicago, and more are apparently in the works.

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People stand under the METRA viaduct at 56th and Harper. They cluster in groups like this, each with an answer to the question, Where are you going?

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This mural is painted on rough concrete and exposed to the harsh Chicago elements. Close-ups show the graceful decay of the images. This art isn’t static; it changes with the winters.

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Under the viaducts, short quotes from neighborhood residents were painted on the columns, all answering the question, Where are you going?

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Further down the wall, another mural began.

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I was struck by the fact that these murals were painted or refurbished years ago and still look good. They haven’t been tagged or painted over by graffiti artists. While I usually prefer unauthorized and unofficial public art, perhaps the METRA is on to something here. If you put up good publicly-sponsored art, then people will respect the city’s overpasses far more than if you leave them concrete blank or put up bad art.

South along the METRA tracks, at 57th street, there are other murals, these definitely more political. They have been criticized as being “leftist.” (I can’t help but wonder if the murals had shown a happy managerial class if they would have been considered “rightist.”)

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It’s a pleasure to walk through these underpasses. It gives the neighborhood a friendly vibe, as if the folks under the viaduct are there to welcome newcomers. And new workers, as well.

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Chicago Housesit

I took the Megabus from Toledo to Chicago last week to begin a housesitting gig in Hyde Park. The double-decker bus was only about 10% full and was quiet, clean, and on time. However, the seat arrangement provided excruciatingly little legroom for my 6’3″ frame, and the WiFi was slow and heavily censored.

The house I’m taking care of here was built in the 1880s and features high ceilings, bay windows, an elegant L-shaped staircase, a cozy gas fireplace (with oak mantle and beveled mirror) and an honest-to-god front porch swing.

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The place comes with four cats, whose personalities range from ebulliently friendly to pathologically shy.

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The neighborhood, Hyde Park, is a wonderfully civilized place of tree-lined streets and older houses.

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It’s home to the University of Chicago and President Obama. It has a record store and a head shop, conveniently located next door to each other.

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Across the street is a barber shop, where you can get some Buddy Guy to go with your high-and-tight.

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Down the street is an African American bookstore still selling Malcolm X literature.

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Bicycles for rent stand out in public racks. With the swipe of a credit or debit card, one can unlock one of these machines, go for a ride, and return than at any one of scores of locations around the city.

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There are handsomely-executed murals on the walls of the viaducts where trains to and from downtown Chicago pass overhead.

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The neighborhood feels wonderfully time warped, like a portal to 1979. There is even a nightly repertory film series at U. Chicago just four blocks away.

In nearly every place I have traveled, there comes a moment when I look around and ask myself, Could I live happily here? The answer for the Hyde Park neighborhood of Chicago is an unambiguous yes. I will be here for at least two housesitting stints this spring. I may not want to leave.

Morocco Miscellany

As so often happens, there are some photographs that don’t seem to conveniently fit into my more narrative travel posts. Here, then, are some random images of Morocco.

This first one of me was taken en route from my overnight in the Sahara. It shows me definitely in need of a shower, but happy.

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This shows a market town where we stopped for lunch.

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The photo below shows the alleyway leading to the hostel we stayed at in Marrakech, while the one below that was taken from a restaurant porch in the main square.

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The next series was taken at an ancient madrassa, or religious school for boys. Spencer and I walked through the students’ quarters, imagining the hundreds of students who must have called a given room home for a period of time.

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I don’t recall on which public wall this artwork had been painted, but I like it; I give it major points for originality.

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Finally, this last was taken at the tannery in Fes.

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The Deep Blue Goodbye

I’ve been back in America for three weeks and I regularly run into friends who read this blog. Many of them mention how struck they have been with my pictures of Chefchaouen. I get that. It’s an adhesive place, one seen as an after-image long after the brief exposure to it has occurred.

It seemed appropriate, then, to caption my last Chefchaouen post after the title of a Travis McGee book by the late great John D. MacDonald. In that story, the “deep blue goodbye” was something permanent and fatal. I hope my reluctant departure from this town will be neither

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It’s a town where one can find the unexpected animal. . .

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. . . the charming detail . . .

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. . . the commercial . . .

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. . . and the meditative.

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I was curious about how the Chefchaouen shade of blue is achieved. Apparently it’s purchased as a powder, which is then mixed with water and scrubbed into the sides of the stucco and rock walls of the houses. During our stay, we saw many people doing just that.

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This outdoor stairway has been frequently photographed; it showed up in nearly every guidebook I consulted.

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This fixer-upper was one of my favorite spots. The textures and colors of the ruins were incredible.

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The rest, remainder and residue of these photos are corners of town that caught my eye. Maybe they’ll catch yours, too.

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Outside the Walls

The town of Chefchaouen has spread beyond its walls. Just outside the medina is the kasbah. It bolstered my faith in human progress to consider that his ancient building is no longer a fort, but is instead the backdrop for a children’s play area.

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A stream runs down the mountain by the high side of the medina. There are a few small but pretty waterfalls. Excess water is captured in spillways, one of which goes right through the first floor of a house.

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Climbing a little more by the stream leads to this vantage point, where you can see the medina from the outside looking in. It’s not much to look at from there; the beauty can only be seen from within.

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The newer part of town continues on the other side of the stream. Even though this area doesn’t have the same deep blue byways as the medina, has charms of its own.

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Recruited as a Drug Mule

I wandered around Chefchaouen alone while Spencer napped back at the hotel. I climbed to one of the highest points in the medina, an area not on the must-see-for-tourists list. Though the walls were still washed with Chefchaouen blue, the alleyways looked a little down at the heels.

I was here.

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What you see in the left side of the photo is not a body of water, but is rather the top of the clouds that blanket the valley below. As I gazed out at this strange scene, a Berber man came out of one of the houses and struck up a conversation. It was the usual where-are-you-from, is-this-your-first-time-here talk. He introduced himself to me as Michael. Right.

Our talk turned quickly to hashish. This was not unusual. As we walked around Chefchaouen, Spencer and I were often approached by young men offering us the Rif Mountains’ most famous product. I frequently smelled the sweet odor of burning hash as I walked around. Sometimes I wondered if half the town was baked.

Anyway, I politely declined Michael’s offer, but he persisted. A woman came out of the same house and came over to us. Michael introduced her as his wife and invited me in to share tea with them. Again I demurred.

Undeterred, Michael laid his cards on the table. He had (or had access to) twenty kilos of hashish, which he wanted me to smuggle to some guy in California. I would be well paid for my services.

While Michael was laying out his business proposal, his wife was eyeing me hungrily with barely-disguised sexual interest.

There are so many ways this could go horribly wrong, I thought. Was Michael or his wife wearing a wire? Would Michael take murderous offense to the way his wife was sizing me up? Or was her nonverbal offer just part of the recruitment effort? Were there other confederates nearby waiting to ply me with less pleasurable persuasion?

Choosing my words carefully, I said that I had to meet someone just then, but suggested that Michael and I exchange phone numbers and contact each other the following day. Of course, I didn’t mention that I planned to be long gone by then. To my relief, Michael was amenable to my suggestion. We traded numbers. Then he fished into his pocket and gave me a small rock of hashish — a free sample, he said. I thanked him, pocketed it, shook his hand, and headed back to the Casa Miguel Guesthouse where we were staying.

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Once I was in our room, I took the rock out of my pocket and considered my options. Though hash use is pretty widespread in Chefchaouen, it is against Moroccan law and carries significant penalties. No way was that worth the risk. A little sadly, I flushed the rock.

By the time Michael called me the next day, I was in a car halfway to Casablanca. I deleted his number and his call and trashed my Moroccan SIM card at the airport.

Maybe I was being excessively cautious. But no way was I going to even consider for a moment a career as a drug mule. The very extravagance of the proposition made me a little amused — and a little anxious.

Chefchaouen Signs

There weren’t many signs in Chefchaouen. Those that do exist are as artfully designed as the rest of the town.

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Chefchaouen Cats

IN ACCORDANCE WITH the terms of my contract with the service that hosts this blog, and IN COMPLIANCE WITH longstanding Internet law which requires me to make at least one (1) blog post annually showing pictures of cats, NOW BE IT KNOWN that I herewith submit twenty one (21) photos of the felines of Chefchaouen, Morocco.

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Having discharged my legal and contractual responsibilities above, I invite your comments.

Visitors Wanted. Must Like Blue.

Chefchaouen is a town of 35,000 souls located in the Rif Mountains of northwest Morocco. From the moment we stepped off our bus from Fes until the wee hours of the morning four days later when we boarded a grand taxi for Casablanca, I felt like I was living in a psychedelic haze.

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Almost every rough rock wall in the medina has been scrubbed with a blue wash that produces differing shades and gradations. As the sun completed its daily arc through the sky, the blues cycled through many different hues, from Prussian blue to navy to cobalt blue to indigo to turquoise. At times the walls looked like snowdrifts on one of those winter days where the snow catches and color of the sky. I often passed by an alleyway and didn’t recognize it a few hours later because the hues had changed so much. The shifting tones of blue put me in mind of a dream. Chefchaouen is a place where everything seems not quite real.

I’ve been lucky enough to travel extensively in the last two years. And I can say that Chefchaouen is the single most visually arresting place I have visited, with the possible exception of Angkor Wat and Angkor Thom.

We were here:

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Unlike the sprawling labyrinthine medinas of Fes and Marrakech — and, for that matter, Sousse — Chefchaouen was easy to navigate.

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But I did get lost in a nonliteral way as I watched the textures of the blue-washed stucco and rocks. They shimmered. They breathed.

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I felt a literal chill as I turned corners and took in new vistas. It’s hard to believe that a place like this actually exists.

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I feel compelled to add a technical photographic note here. I have only minimally edited these pictures. In most cases, all I did was to convert them from RAW format to JPEGs. In a few instances, I upped the exposure levels, since the mix of shadows and bright sunlight in the medina sometimes resulted in the underexposure of some parts of some photos. But in the main, you are seeing the colors I saw. This is real. And seems unreal.

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